Tracey E.W. Laird
Phone: 404.471.6474
Email: tlaird@agnesscott.edu
Office Location: Presser Hall 200
Academic Degrees
- BA, Loyola University
- MA, University of Michigan
- PhD, University of Michigan
Teaching and Scholarly Interests
Tracey Laird is an author or editor of six books, the latest in a coffee table format titled Dolly Parton: 100 Remarkable Moments in an Extraordinary Life (Quarto Press, 2023). Her perspective on the twenty-first century concluded the 4th and Fiftieth Anniversary edition of Bill Malone's seminal Country Music, U.S.A. (University of Texas Press, 2018).
Other works include two projects on Austin City Limits (ACL), the latter co-authored with her spouse who is also a writer and music lover. Both books explore the significance of the long-running PBS television music program (now in its 48th season), with the second including beautiful photos by eminent ACL photographer Scott Newton in a coffee table layout. ACL’s story intertwines with that of its home city, now known as the "Live Music Capital of the World," as well as changing ways audiences engage with music and media. It includes 21st-century developments in the show’s history, namely the rise of the ACL Music Festival and the ACL Live at the Moody Theater where the show now records its televised concerts.
Laird has also written about the Louisiana Hayride, the famous radio barn dance that launched both Hank Williams and Elvis Presley into the national spotlight. Recently she has published shorter pieces on Rhiannon Giddens’s first two solo recordings, reflecting on questions of race and gender; and on “Country Music and Television.”
In addition, she has collaborated with sociologist Dr. Regine O. Jackson to discuss shifting pedagogy across disciplines and the urgent demand to fully educate students in ways that equip them to engage with others in an increasingly complex global society. She has been a radio DJ on the Tuesday evening "Long Drive Home" on Atlanta independent station 1690 AM WMLB, a musical director for children's musicals Wanda's Monster and Million Bazillion: the Musical at Agnes Scott, and the announcer for Agnes Scott Commencement and other ceremonial occasions.
Her courses include Musical Elements in Global Perspective, Issues and Methods of Ethnomusicology, and Creative Processes and Practices, a capstone for the new Creative Arts major. Other courses explore intersections of popular music, jazz, or Western classical genres with other disciplines (e.g., physics or neuroscience) or with the everyday questions of race, gender, religion, and politics that shape our daily lives. In recent years, two courses have included online collaborations (known as COIL courses) with students and faculty at Zayed University in the United Arab Emirates, resulting in miniature film documentaries exploring cross-cultural perspectives on music and meaning. Since the beginning of Agnes Scott’s Summit program, she has led Journeys courses for first-year students to Navajo Nation, the Sea Islands, and the Trentino region of northern Italy.
Professional Activities
- Dolly Parton: 100 Remarkable Moments in an Extraordinary Life (Quarto Press, releasing October 10, 2023)
- Country Music, U.S.A. co-authored with Bill Malone (University of Texas Press, 2018)
- Austin City Limits: A Monument to Music, co-authored with Brandon Laird; photographs by Scott Newton (Insight Editions, 2015)
- Austin City Limits: A History (Oxford University Press, 2014)
- Louisiana Hayride: Radio and Roots Music along the Red River (Oxford University Press, 2004; paperback 2016)
- Shreveport Sounds in Black & White, co-edited with Kip Lornell (University Press of Mississippi, 2008)
Other Recent Work
- "'We Have a Lot of Work To Do': Rhiannon Giddens and Country Music’s Mixed Roots," in Paula J. Bishop and Jada E. Watson, eds., Whose Country Music? Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture (Cambridge, 2023)
- Co-authored with Regine O. Jackson, "Decolonizing the Curriculum: Interdisciplinary Workshopping for Liberal Arts Faculty to Overcome Inertia," in Norah P. Schultz, ed., Revising the Curriculum and Co-Curriculum to Engage Diversity, Equity, and Inclusion (Routledge, 2023).
- “Country Music on Television,” in Travis Stimeling, ed., The Oxford Handbook of Country Music (Oxford, 2017)
- "The Battle of New Orleans in Popular Music and Culture.” in Laura Lyons McLemore, ed., The Battle of New Orleans in History and Memory (Louisiana State University Press, 2016)